Natyantharnaga is celebrating their 25th year
anniversary in ravindra kalakshtra with dance evenings spread across for four
days the 5th,6th,7th and 8th. Bringing
in various dancers together and cleberating is such a wonderful thing.
Natyantharanga is a dance school held by Shubha dhanjaya the naatya saraswathi.
Delaying by an hour they started their first day of the
celebration. In presence of S. Suresh Kumar the minister of law and order,
Mahadevan babu, Mohan Suresh, Dhananjayan and shantha Dhananjayan the oldest
dance couple and shubha dhananjaya herself. The program started with an
invocation song by her own student Anunavya, who sang a song on lord ganesha
and seeked his blessings for the successful celebration.
They started of with the Siricinchana- a dance ballet of
ashta lakshmi presented to us by shubha dhananjaya and troupe. The 8 different
lakshmies were present them self on stage as adi, dhanaya, veera, gaga,
shantha, vidya, vijaya and dhana lakshmi respectively and the maha lakshmi
shubha herself. The make up costume and stage setting was brilliant. The concept
of each lakshmi sitting on the lotus was the part I loved the most. They looked
like real goddessess themselves but they went a way too off sincronisation.
Mistakes made were little obvious and shown clearly on the face of the little
students. Shubha just outstood looked pretty and graceful.
A person in the audience says “there was a time when shubha
wiped her sweat off the tissue on stage during the performance, which was very
prominent even though she was sitting and the dancers were dancing in front of
her”. This is something i dint notice may be i was involved watching the growing and up coming artists dancing.
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A person in the audience said “An item of krishna always and
that’s one thing I would love to watch. And I enjoyed this piece”.
Dancing footsteps in rain. Based on meer’s poetry which
describes the love of the monsoon. The feel she had was amazing it was like she
was really dancung in and with the rain.
The stage usage in all three pieces were bad, such a huge
stage and she never moved away from the center of the stage.
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Gopal krishna barathi nanda a dance portraying lors shiva’s
devotee and when he’s nt allowed to view the lord shiva. In raaga maachi set to
mishrachapu tala. A solo piece by dhananjayan sir Im speechless about this
piece it was just “perfect”. The involvement he had into the character was
shown in his face.
"Its a honour to Kiran subramanium to play the natuvaanga for his own gruru's performance". said a person in the audience.
NRITHYABHARATH 2015 FESTIVAL FROM 19TH DEC TO 22 DEC 2015 AT SEVA SADAN MALLESWARAM
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